


All fandom is a form of tunnel vision; warm and dark and infinite in one direction.
내 몸은 너의 입술에 서서히 중독된다.
고요하고 뜨거운 여름 바다 위에 떠 있는 부드러운 구름은 너의 입술이다. 해안선을 따라 수많은 파도에 방금 씻긴 젖은 조약돌은, 바람에 맞서 일어나는 물결은, 바다의 하늘이 경계 없이 새파란 공간에 아련히 한 점 떠 있는 먼 섬은 너의 입술이다. 서쪽 하늘에 붉은 입술 시울로 나타나 저녁의 공간을 따뜻하게 뎁히면서 모든 심장에 펌프질을 해대는 노을은 너의 입술이다. 세상에서 향기 있는 모든 꽃들은, 꽃들을 찾아 돛을 펴고 항해하는 모든 나비들은 너의 입술이다. 음식을 만드는 불, 쇠를 녹이는 불, 집과 산과 바다와 하늘을 태우는, 세상 모든 것들을 변화시키고 소멸시키는 불은, 너의 입술이다.
너의 입술은 다른 세계로 가는 입구이다.
-채호기 [너의 입술] 중-


the greatest thing in inglourious basterds = this guy. i love people that have a working knowledge of three+ languages. and no, not the kind of "working knowledge" fibs you put on resumes.
At Cannes, Tarantino said that had he not discovered Waltz, the film might have been scrapped entirely. "I knew whatever actor I cast to play this has to be as much of a linguistic genius as Landa is or he would never come off the page," Tarantino said. Landa seduces his prey with his words and speaks fluent German, English, French and Italian. Other actors "could do the poetry in this language, but they couldn't do the poetry in that language. And they had to be able to say the poetry in every language," Tarantino said.
Waltz wasn't faking — he really can speak all those languages. But he is characteristically modest about his abilities, unlike his evil alter-ego, who presents them with flourish.
But he does boast: "My oldest daughter speaks seven! I come from a small country, and we sometimes need to employ another language to get things. So it's not that big of a deal to speak various languages."
um...i come from a small country too. where did we go wrong?